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CARTOGRAPHIA offers a stunning array of 200 of the most beautiful, important, and fascinating maps in existence, from the world's largest cartographic collection, at the Library of Congress. These maps show how our idea of the world has shifted and grown over time, and each map tells its own unique story about nations, politics, and ambitions. The chosen images, with their accompanying stories, introduce the reader to an exciting new way of "reading" maps as travelogues---living history from the earliest of man's imaginings about planet earth to our current attempts at charting cyberspace.
Among the rare gems included in the book are the Waldseemuller Map of the World from 1507, the first to include the designation "America"; pages from the Ortelius's Theatrum Orbis Terrarum of 1570, considered the first modern atlas; rare maps from Africa, Asia, and Oceania that challenge traditional Western perspectives; William Faulkner's hand-drawn 1936 map of the fictional Yoknapatawpha County, Mississippi; and even a map of the Human Genome. In an oversized format, with gorgeous four-color reproductions throughout, Catrographia will appeal to collectors, historians, and anyone looking for a perfect gift.
- Sales Rank: #707470 in Books
- Published on: 2007-10-25
- Original language: English
- Number of items: 1
- Dimensions: 13.38" h x 1.38" w x 10.63" l, 5.05 pounds
- Binding: Hardcover
- 272 pages
From Publishers Weekly
Drawing on the Library of Congress's 4.8 million maps and 60,000 atlases, this is an overview of cartography in different times and cultures. Veteran picture editor Virga upends our notion of maps as two-dimensional representations of physical spaces by presenting depictions of imaginative or spiritual territory: a 17th-century map of the soul has five entry points, each corresponding to one of the five senses. And while we're accustomed to maps being oriented north, Islamic and some other cartographers oriented their maps south, as in an eye-opening 1996 Upside Down World Map made in Australia that shows the down under continent approximately where we usually see Greenland. Virga provides historical, sociological and anthropological background to each map. Captions for the plates are so small as to be almost unreadable, making it difficult to follow Virga's interpretations of the maps. Still, this is one of those rare coffee-table books that deserves to be read, that repeatedly delights the eye while informing the mind about the rich variety of humans' attempts to orient themselves in the world. 201 color illus. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"For anyone with a love of maps the book is a perfect treasure." -- David McCullough
About the Author
Vincent Virga is the author of EYES OF THE NATION: A VISUAL HISTORY OF THE UNITED STATES, which was a main selection of the Book-of-the-Month Club and the History Book Club.
Most helpful customer reviews
119 of 126 people found the following review helpful.
Score one for people who love maps!
By Armchair Interviews
Reviewed by Peg Brantley
"X" marks the spot. Do you remember that? You knew you'd found treasure--or at the very least, an amazing secret waiting to be unearthed.
Cartographia is a treasure that is waiting for map and history lovers of all generations to discover. This beautiful work of art will hold your attention for hours as you look at maps drawn on paper, on wood, on stone, on figurines, and in tapestries. World maps, metaphorical maps, a map depicting a square earth and round heaven, maps on warfare, and the Oregon Trail. From ancient maps to one of the human genome, they're all contained within the pages of this book.
The text brings history alive and helps to develop an understanding of the psychology and culture behind the creation of these charted representations.
Vincent Virga, "America's foremost picture editor," is well known in history circles. Collaborating with The Library of Congress (where more than five million maps reside), he has put together an awesome book illuminating the diversity of people who populate our planet. Not only their different geographic landscapes, but also their cultural and social visions of the world and how those ideas have changed over time are represented. From Africa to the Netherlands, China to Ireland, Christianity, Judaism, Islam...you will receive a sense of human attitudes and ideas thoughtfully portrayed in the permanent form of maps.
If you ever get a thrill finding your destination, reading the map key to open the mysteries before you, or locating your house on Google Earth, Cartographia will captivate you.
If you know someone these emotions apply to, don't let them miss this book.
"X" marks the spot. You can find it in Cartographia.
Armchair Interviews says: Map lovers of the world, unite.
0 of 0 people found the following review helpful.
Beautiful and interesting
By Marie
The most beautiful book on map history that I've seen. The text is learned yet very accessible, and the images well chosen and printed. Virga's attention to the politics of maps repeatedly hits the right note. The production is everything you might expect from the Library of Congress. I own one and have given others as gifts. (Heresy disclosure: I've even cut up a much-worn used copy to make framed maps and handmade stationery.)
44 of 49 people found the following review helpful.
Where's the bibliography?
By Nonfiction Author
Although this is an attractive coffee table book, the lack of a bibliography is troubling. Vincent Virga does not cite the scholars whose ideas he disseminates. Virga admits in the acknowledgments that he didn't "get" maps or mapmaking when he started the project. Yet, he takes credit for the ideas, as if by hanging out with scholars and librarians at the Library of Congress, he was able to come up with a "new approach" to cartography and to understand the map history of every corner of the globe. This would take a lifetime of study. One of his main sources is the multi-volume encyclopedic History of Cartography published by University of Chicago Press, which introduces and explains many of the same maps. Yet he never cites this important and original work nor refers his readers to it. In fact, he does not cite a single book or article.
More ethical and scrupulous nonfiction authors who write for a popular audience use endnotes and a bibliography or an annotated bibliography to give credit to the scholars and authors whose work they popularize. Virga's "cartobibliography" shows only where he got permission to reprint the images. Without a real bibliography, most readers will never find the scholarly works where Virga got his ideas. It is troubling that the Library of Congress participated in this project on
those terms.
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